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Timed
Venue address
1 Roslin Square
Roslin Road
London
W3 8DH
United Kingdom
Old Masters & 19th Century Art
For viewing appointments please contact: ellie.smith@chiswickauctions.co.uk
Auction dates
Starts:
27 Sep 2024 15:00 BST
Ends from:
13 Oct 2024 15:00 BST
Viewing dates
By appointment only
30 Sep 2024 11:00 - 16:00 BST
01 Oct 2024 11:00 - 16:00 BST
02 Oct 2024 11:00 - 16:00 BST
03 Oct 2024 11:00 - 16:00 BST
04 Oct 2024 11:00 - 16:00 BST
07 Oct 2024 11:00 - 16:00 BST
08 Oct 2024 11:00 - 16:00 BST
09 Oct 2024 11:00 - 16:00 BST
10 Oct 2024 11:00 - 16:00 BST
11 Oct 2024 11:00 - 16:00 BST
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There are 126 lots within this auction
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12,000 - 18,000 GBP
GERARD DE LAVALL É E (MECHELEN, 1596/97-1667/87) Six scenes from the Book of Samuel: David before the Fight; The Fight between David and Goliath; The Triumph of David presenting the head of Goliath to Saul; David playing the harp before Saul; and The Marriage of David to Michal oil on copper each 70.5 x 87.7 cm. (27 3/4 x 34 1/2 in.) each overall framed: 86.5 x 103.5 cm. (34 x 40 3/4 in.) a series of six works (6)
Property of a private London estate
Gerard de Lavallée excelled at religious subjects, as exemplified by the present series, the style and overall type of the paintings point to the likely execution during the 1630/40's. The works can be compared on stylistic grounds to known treatments of the subject during this period. known for his religious and mythological paintings, his detailed works often depicting biblical, mythological, or allegorical subjects. He was highly skilled in painting intricate details and textures, as well as creating complex compositions as can be seen in the present series. Collaborations with the figure painter Pieter van Avont are documented.
Gerard de Lavelle é became master in the Antwerp guild of St Luke in 1626/27 under the name Geeraert de la Vallee .
These six magnificent, detailed works on copper depict the Old Testament story of David, from the Book of Samuel. The story tells the tale of David, a young harpist and shepherd boy who replaced King Saul as King of Israel in 885 BCE (Samuel I 16:1-19).
During the invasion of Philistines of Israelite territory, the Israelites dared not fight a giant named Goliath of Gath. However, David fought the giant and with a powerful final blow he decapitated the beast. David proceeded to present the head of Goliath to King Saul who came to witness the fight on the battlefield. Following this victory, David gained immense popularity and became known as a hero of the Israelites. However, King Saul was jealous of his new-found respect and regarded David as a threat to his royalty.
God found this jealousy unfavourable and decided that David would be King. The spirit of God entered David's body and left Saul's. Saul then fell into a state of madness; he attempted to kill David, and his rage was only consoled by the sweet sound of David playing the harp.
Saul later noticed his daughter Michal's love for David and following this, in the hope that it may lead to David's death, he insisted that if he wanted to take his daughters hand in marriage, he had to first slay one hundred Philistines. David survived the battle and won Michal's hand in marriage, much to the old King's dismay
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4,000 - 6,000 GBP
STUDIO OF MICHELANGELO CERQUOZZI (ITALIAN, 1602-1660) Actors of the commedia della'arte oil on canvas 58 x 97 cm (22 13/16 in.) overall framed: 70.5 x 109 cm (27 3/4 x 42 15/16 in.)
Michelangelo Cerquozzi (1602–1660) an Italian Baroque painter known for his vivid genre scenes, battle pieces, and still lifes. Born in Rome, he became one of the prominent painters of the Bamboccianti, a group of artists who depicted everyday life with a realistic and often humorous approach. The Bamboccianti works included humorous, ironic, or satirical elements, often poking fun at human follies or highlighting the contrast between different social classes.
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2,500 - 3,500 GBP
Property from a Private Collection AFTER TOMASO REDI (FLORENCE 1665-1726) Saint Philip Neri and the miracle on the voyage to Naples oil on canvas 62 x 70 cm (24 1/2 x 27 1/2 in.) unframed
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ITALIAN SCHOOL (EARLY 18TH CENTURY) Madonna and child with the infant Saint John oil on copper 5.3 x 5.2 cm. (2 x 2 in.) (arched top)
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ITALIAN SCHOOL (EARLY 18TH CENTURY) The Penitent Magdalene oil on copper 8.5 x 11 cm. (3 1/4 x 4 1/4 in.) (oval)
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ITALIAN SCHOOL (LATE 17TH-EARLY 18TH CENTURY) St John the Baptist with the lamb oil on copper 6.3 x 5.1 cm. (2.5 x 2 in.) (oval)
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FOLLOWER OF ORAZIO SAMACCHINI (BOLOGNA 1532-1577) The Flagellation of Christ oil on panel (arched) bears later inscription (verso) 32.5 x 44.5 cm. (12 3/4 x 17 1/2 in.)
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RUSSIAN ICON (MID 19TH CENTURY) Saints Shamona, Guria, and Deacon Abibus of Edessa (known as Saints Gury, Simon and Aviv) inscribed verso oil on panel on a gilt ground 39 x 32 cm. (15 3/8 x 12 5/8 in.)
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GREEK ICON (18TH CENTURY) Annunciation scene with the depiction of St Peter and St John and St John the Baptist as the Angel of the Desert oil on wood panel 24.5 x 17.5 cm (9 3/4 x 6 3/4 in.)
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AFTER RAPHAEL (EARLY 19TH CENTURY) Madonna and child watercolour 22.5 x 17 cm (8 3/4 x 6 3/4 in.) overall framed: 33.5 x 28 cm (13 1/4 x 11 in.)
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FOLLOWER OF JEAN LOUIS TOCQUÉ (FRENCH, 1696 – 1772) Portrait of a nobleman in Armour, a battle field beyond oil on canvas 45 x 37 cm (17 3/4 x 14 1/2 in.) unframed
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2,500 - 3,500 GBP
ISAAC MIJTENS/MYTENS (THE HAGUE, 1602-1666) Admiral Egbert Meeuwis Kortenaer (1604-1665) signed and dated 'Mijtens / f. 16...' (upper right) oil on canvas laid to panel 69 x 60 cm. (27 x 23 1/2 in.) overall framed: 86 x 75 cm (33 7/8 x 29 1/2 in.) Provenance Private collection, Sweden
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3,500 - 4,500 GBP
CIRCLE OF PIERRE GOBERT (FONTAINEBLEAU 1662-1744 PARIS) Portrait of a lady, three-quarter-length, in costume, holding a mask in her right hand, before a red curtain, in an interior oil on canvas 131 x 98 cm (51 1/2 x 38 1/2 in.)
Provenance Private Collection. Christies, London: 'From Italian to Rome- The Collection of two Italian Designers' November 2011, Lot 327.
The present portrait is traditionally held to be Françoise Marie de Bourbon. Françoise Marie de Bourbon was the youngest illegitimate daughter of King Louis XIV of France and his mistress Franscois-Athenais de Rochechouart, Marquise de Montespan.
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1,500 - 2,500 GBP
CIRCLE OF SIR GODFREY KNELLER (GERMAN, 1646-1723) Portrait of a Gentleman bust length, wearing a posdered wig, tied white stock and a red coat, Portrait of a lady, bust length, wearing a blue dress and red shawl, pair, oval later inscribed 'Sir Godfrey Kneller, 1707' (male portrait verso) oil on canvas 77 x 64 cm. (30 1/4 x 25 2/8 in.) each unframed (oval) (2)
Sitters may be a characterisation of John Churchill, 1st Duke of Marlborough and his wife, Sarah Churchill, Duchess of Marlborough.
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FOLLOWER OF SIR PETER LELY (LATE 17TH - EARLY 18TH CENTURY) Portrait of a lady, half length, wearing a pink silk dress and holding a sprig of jasmine, within a feigned oval oil on canvas 75.6 x 63.5 cm. (29 3/4 x 25 in.) overall framed: 95 x 82 cm. (37 x 32 1/2 in.)
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FOLLOWER OF SIR PETER LELY (LATE 17TH - EARLY 18TH CENTURY) Portrait of a Lady, bust length, wearing a blue dress and a blue shawl, within a feigned oval oil on canvas 76 x 63.7cm. (29 7/8 x 25 in.) overall framed: 88 x 75 cm. (34 1/5 x 29.5 in.)
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BRITISH SCHOOL (C. 1720-1750) Portrait of a Lady in Ermine pastels on paper laid onto canvas 58 x 44.5 cm (22 13/16 x 17 1/2 in.) overall framed: 74 x 59 cm (29 1/8 x 23 1/4 in.) Literature: Neil Jeffares, Dictionary of Pastellists, J.85.22441
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AFTER JEAN-BAPTISTE GREUZE (FRENCH, 1725-1805) The best friend pastel 59 x 48 cm (23 1/4 18 7/8 in.) (oval) overall framed: 79 x 58.5 cm (31 1/8 x 23 in.) (oval)
The original circa. 1757 is held by The Wallace Collection, London.
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1,200 - 1,800 GBP
FOLLOWER OF BARTHOLOMEAUS VAN DER HELST (17TH CENTURY) Portrait of a Gentleman, possibly a Cleric wearing a white collar and elaborate gold chain oil on canvas 58 x 44.5 cm (22 3/4 x 17 1/4 in.) overall framed: 75 x 62 cm. (29 1/2 x 24 3/8 in.)
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AFTER LOUIS LÉOPOLD BOILLY (FRENCH, 1761-1845) Portrait of a young gentleman, bust-length, wearing a dark coat and tied white stock oil on canvas 53 x 43 cm (20 3/4 in. x 17 in.) unframed
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MANNER OF JOSEPH WRIGHT OF DERBY (BRITISH SCHOOL, 1734-1797) Portrait of a gentleman in formal red uniform and tied white stock oil on canvas 54.5 x 44.5 cm (21 1/2 x 17 1/2 in.) overall framed: 69 x 58.5 cm. (27 1/8 x 23 in.)
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ATTRIBUTED TO GAINSBOROUGH DUPONT (18TH CENTURY) Portrait of a lady, bust length in a white dress with a pink bow, landscape beyond pastel 76 x 64 cm (30 x 25 1/8 in.) overall framed: 95 x 82 cm. (37 1/2 x 32 1/4 in.)
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1,500 - 2,500 GBP
CIRCLE OF DOMENICO FEDELI, CALLED MAGGIOTTO (VENICE 1713-1794) Portrait of a young boy with Rosary beads and a staff oil on canvas 36 x 46 cm (14 1/4 x 18 in.) overall framed: 66.5 x 57 cm (26 1/4 x 22 1/2 in.)
Domenico Maggiotto, one of the artists active in the Venetian workshop of Giovanni Battista Piazzetta (1682-1754). Piazzetta produced many large drawings similar to the present sheet depicting either portraits of real people or generic heads (teste di carattere). These drawings were sold as independent works of art and avidly collected. Piazzetta’s pupils followed closely in his footsteps creating drawings so similar in subject matter and technique that they often are mistaken as by the master’s own hand
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ATTRIBUTED TO THE REV. MATTHEW WILLIAM PETERS, R.A. (BRITISH, 1741/2-1814) Portrait of a lady, possibly the artist's wife, bust-length, in a black dress with a pink bow and a lace cap and muff, in a feigned oval. oil on canvas 77 x 64 cm (30 1/4 x 25 1/4 in.) overall framed: 89 x 76 cm (35 30 in.) William Peters trained under the artist Thomas Hudson and established himself as a portrait painter.
He gained recognition for his portraits, which often depicted members of the British aristocracy and society. He was known for his ability to capture the likenesses of his subjects while also infusing his portraits with a sense of character and dignity. He exhibited regularly at the Royal Academy and was elected a full member (R.A.) in 1791.
Interestingly, in addition to his artistic career, Peters also pursued a religious path. He became an ordained priest in the Church of England and held various positions within the church, including serving as the chaplain to the Earl of Northumberland.
Rev. Matthew William Peters artistic style reflected the trends of his time, with a focus on portraiture and historical subjects. His works are characterised by a classical elegance and attention to detail. While perhaps not as widely known as some other artists of his era.
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FOLLOWER OF JOSHUA REYNOLDS P.R.A. (1732-1792) Study of a boy pastels on paper 20 x 16 cm (7 7/8 x 6 5/16 in.) 48.2 x 43.7 cm (19 x 17 1/4 in.)
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2,000 - 3,000 GBP
ATTRIBUTED TO JOHN JAMES MASQUERIER (BRITISH, 1778-1855) Portrait of a Lady, half-length, wearing a blue dress, with curled powdered hair, in a feigned oval oil on canvas 80 x 65.5 cm (31 1/2 x 26 in.) overall framed: 89 x 75.5 cm (35 x 30 in.)
John James Masquerier was born in Chelsea, London, and studied at the Royal Academy of Arts. He received commissions from members of the British aristocracy and other notable figures, including King George IV and the Duke of Wellington.
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FRITZ PAULSEN (1838-1898) Portrait of a lady, head and shoulders, wearing a black dress with a red necklace signed and dated 'F Paulsen, 1878' (lower right) oil on canvas 68 x 56 cm. (26 3/4 x 22 in.) overall framed: 76 x 65 cm. (29 7/8 x 25 1/2 in.)
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GIULIA M SARTONI (ITALIAN, 1850-1946) Portrait of Lieutenant Gerard Prideaux Tharp (1870-1934) aged 19, wearing uniform and the rifle brigade badge oil on canvas 61.5 x 50.5 cm (24 1/4 x 19 7/8 in.) overall framed: 79 x 67.5 cm. (31 1/8 x 26 5/8 in.) Footnote: The sitter gained the rank of Lieutenant-Colonel in the Rifle Brigade. On 12 March 1918, he married Dora Maryan Hall (1891-1948) second daughter of James Wesley Hall, of Mount Morgan and Melbourne, Australia. They lived at Chippenham, Ely.
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J BONI (CIRCA. 1861) Portrait of a lady, half-length, seated, wearing a black lace dress with gold jewellery signed and dated 'J. Boni, Nice, 1861' (lower left) oil on canvas 53 x 45 cm. (21 x 17 1/2 in.) overall framed: 67 x 23 cm. (26 1/2 x 23 in.)
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BRITISH SCHOOL (EARLY 18TH CENTURY) Portrait of a boy dressed as a Sultan pointing to an African Grey Parrot bears indistinct label on the reverse 'Rev'd Canon Rogers as a schoolboy painted by a Helston Schoolmaster (name forgotten)' (centre) oil on canvas 78 x 64 cm. (30 3/4 x 25 2/8 in.) overall framed: 99 x 85 cm. (39 x 25 1/4 in.)
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AFTER DAVID WILKIE (BRITISH, EARLY-MID 19TH CENTURY) The Bagpiper oil on canvas 36 x 31 cm (14 3/16 x12 3/16 in.) After the original (1813), held by The National Gallery, London.
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FRENCH SCHOOL (EARLY 19TH CENTURY) Portrait of a lady pastels on paper laid to canvas 52.3 x 42.5 cm.(20 1/2 x 16 3/4 in.) overall framed: 58 x 48 cm (22 3/4 x 18 7/8 in.)
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BRITISH SCHOOL, (MID 19TH CENTURY) Portrait of Sarah Phelps and her third daughter Sarah Phelps, seated, half-length bears inscribed label to the reverse oil on canvas 90 x 70 cm (48 x 40 in.) overall framed: 121 x 101 cm (47 5/8 x 39 3/4 in.)
Label on the reserve inscribed 'Sarah Phelps (nee Copper) wife of Samuel Phelps, born 1810, died 1867, married 11th August 1826 at St George's, Queens Street, London, and her third daughter Sarah Phelps, born 1835, died 1874. Married William Henry Goodair.'
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EDWIN LONGSDEN LONG R.A (BATH 1829-1891 LONDON) Study of a beggar Bears monogram oil on board 27.5 x 58 cm
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HANS TIEL (LATE 19TH CENTURY) Portrait of a rabbi studying the Talmud signed 'Hans Teal' (upper right) oil on canvas 30 x 25 cm. (11 3/4 x 9 7/8 in.) unframed
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AFTER PAOLO VERONESE (MID-LATE 19TH CENTURY) Madonna and Child with Saints George and Justina and a kneeling Benedictine oil on board 27 x 32.5 cm
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ALFRED BROGE (DENMARK, 1870-1955) Contemplation signed 'Alf. B' (lower left) oil on canvas 49 x 59 cm (19 1/4 x 23 1/4 in.) overall framed: 63 x 55.2 cm. (24 3/4 x 20 5/8 in.)
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Property from a Private Collection ATTRIBUTED TO PAUL FALCONER POOLE (BRITISH 1807-1879) Returning Home oil on canvas 76 x 64 cm (29 7/8 x 25 1/4 in.) overall framed: 94 x 81 cm (37 x 31 7/8 in.)
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CARLO CHERUBINI (ITALIAN, 1897-1978) A Lady in the wood signed Carlo Cherubini (lower left) oil on canvas 32 x 26 cm (12 1/2 x 10 1/4 in.) overall framed: 42 x 37 cm (16 1/2 x 14 1/2 in.)
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PAUL JONES, (BRITISH ACT. 1855-1888) The young poachers (a pair) each signed 'P Jones, 1873' (lower right) oil on board each 23.5 x 18.5 cm. (9 1/4 x 7 1/4 in.) overall framed: 32 .3 x 27.3 cm. (12 5/8 x 10 3/4 in.) (2) Provenance With Haynes Fine Art of Broadway, Picton House Galleries, Worcestershire
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CIRCLE OF VAN VYCK (1644-1702) A stage hunt oil on canvas 116.5 x 170 cm. (46 x 67 in.) overall framed: 134 x 188 cm. (52 3/4 x 74 in.)
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DUTCH SCHOOL (EARLY-MID 18TH CENTURY) Merrymakers, musicians and elegant party by the tavern oil on canvas 73 x 98 cm (28 3/4 x 38 1/2 in.) unframed
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V. CHAVIGNY (19TH CENTURY) Traveling musicians signed 'Chavigny' (lower left) oil on canvas 51.5 x 61 cm. (20 1/4 x 24 in.) overall framed: 67 x 77 cm. (26 3/8 x 30 1/4 in.)
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DUTCH SCHOOL (EARLY 19TH CENTURY) Pair of countryside scenes with animals oil on board 17.6 x 19.3 cm (2)
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CONSTANTINUS FIDELIO COENE (DUTCH, 1780-1841) Merrymaking at the tavern oil on board 30 x 38 cm (12 x 15 in.) unframed
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F. H HOWARD HARRIS (CIRCA 1900) The tryst by the well signed 'F. H Howard Harris' (lower left) watercolour 88 x 70 cm. (34 5/8 x 27 1/2 in.) overall framed: 124 x 97 cm. 48 3/4 38 1/4 in.)
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2,500 - 3,500 GBP
JOHN JAMES CHALON (BRITISH, 1778-1854) Wooded landscape with lovers at a gate oil on panel 47.5cm x 37.5cm (18 3/4 x 14 3/4 in.) overall framed: 70 x 61 cm.(27 3/4 x 24 in.)
Provenance Sale, Christie's, British and Continental pictures, March 14th 1980, lot 146
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CIRCLE OF CHARLES TOWNE (WIGAN 1763-1840 LONDON) A shepherd with his flock oil on canvas 25.7 x 29. 3 cm (10 1/8 x 11 1/2 in.) overall framed: 33 x 36.5 cm. (13 x 14 3/8 in.)
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CHARLES TOWNLEY (BRITISH SCHOOL, 1746 - C. 1800) Farm view with cows and sheep oil on canvas 35.5 x 30 cm (14 x 12 1/4 in.) unframed
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BRITISH SCHOOL (19TH CENTURY) Prince signed 'R B Hunter 1903' (lower left) oil on canvas 46 x 38 cm. (18 1/8 x 15 in.) unframed
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CIRCLE OF EUGÈNE VERBOECKHOVEN (19TH CENTURY) Resting sheep and lambs against a rocky outcrop signed 'E Verboeckhoven' (lower left) oil on paper laid on canvas 31.5 x 45 cm. (31 3/8 x 17 3/4 in.) unframed
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CHARLES COMPTON (BRITISH, 1828 - 1884) Squirrels and a bullfinch signed and dated 'C Compton May 1866' (lower right) oil on canvas 45.7 x 35.5 cm (17 7/8 x 13 7/8 in.) overall framed:
Provenance Sale. Christie's, London, 16th July 1998, lot 63 Purchased at the above sale by the present owner
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BAREND GAEL (HAARLEM, 1620-1687) Merrymaking outside the tavern signed 'B GAEL...N' (lower right) oil on cradle panel 43.8 x 53.7 cm. (17 1/4 x 21 1/8 in.) overall framed: 52 x 63 cm. (20 1/2 x 25 in.)
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HENRY HARRIS LINES (BRITISH 1800-1889) Summer evening oil on canvas 23 x 30.5 cm
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CIRCLE OF GEORGE MORLAND (BRITISH, LATE 18TH - EARLY 19TH CENTURY) Travellers fording the river oil on canvas 64 x 76.5 cm (25 1/4 x 30 in.) overall framed: 79 x 89 cm (31 x 35 in.)
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CIRCLE OF JOHN WARWICK SMITH (1749-1831) Figures by the river in an Italianate landscape/ Figures in the mountainous Italianate landscape (a pair) watercolours each 32 x48 cm (12 5/8 x 18 7/8 in.) overall framed: 53.5 x 70 cm (21 1/16 x 27 /16 in.)
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BRITISH SCHOOL (EARLY 19TH CENTURY) A shepherd with goats and sheep in an extensive lake scene watercolour 35 x 46 cm
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WILLIAM CALLOW, R.W.S. (BRITISH, 1812-1908) A continental farmhouse signed and dated '1835' (lower right) watercolour with scratching out 25 x 35 cm (9 13/16 x 13 3/4 in.) overall framed: 48 x 57 cm (18 7/8 x 22 3/8 in.) Provenance With Stephen Welbourne Fine Art, Sussex
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GABRIERL PRIEUR (LA FERTE-GAUCHER 1806 - 1879 PARIS) Environs de Fontainebleau oil on paper (originally laid down on canvas) 26.5 x 32.5 cm. (10 1/2 x 12 3/4 in.) overall framed: 39 x 45 cm. (15 3/8 x 17 6/8 in.)
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J.B COOK (MID-LATE 19TH CENTURY) View near Windsor signed 'J.B Cook' (lower right) oil on canvas 30.5 x 61 cm. 12 x 24 in. overall framed: 41 x 71 cm. (16 x 28 in.)
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